Saturday, July 26, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 12

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 12
“The Mortal Cure”
Written by Chip Johannessen
Directed by Eric Laneuville


Beth discovers that Josh was getting ready to propose to her. Meanwhile, Mick learns that Coraline is still alive but is a vampire again. She tells him about a cure and, in fact, administers it to Mick before she is whisked away by a powerful vampire, leaving a very human Mick behind.

Notes O’Loughlin, “Mick has been obsessed with a cure; the fact that there’s a way out. You know, there’s an important moment in episode seven when Josef says to Mick, ‘You’ve got to stop hating what you are. Accept it.’ And Mick doesn’t. Well, he does, but he lives in this controlled denial. He’s not a stereotypical vampire. He’s a reluctant vampire. In this episode he’s cured and he remembers how painful it is to be human. And there’s a gap between Mick and Beth, Coraline’s gone and we don’t know what’s going to happen to Mick. It was a pretty exciting place to leave us when the Writer’s Guild strike happened.”



















Friday, July 25, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 11

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 11
“Love Lasts Forever”
Written by Josh Pate
Directed by Paul Holahan


Josh asks Mick to protect Beth as he wages legal war against a powerful gang, which goes disastrously wrong as Josh is shot, dying in Beth’s arms and Mick refuses to save him by turning him into a vampire, fully aware that there are some things worse than death.

“This is a tough episode,” states the actor. “Wherever it comes from, he has affection for Josh. Mick sees death all the time. In fact, Mick participates in death often, but this death, when it’s as wrong as this is, does something to him. I mean, it’s the whole build up to everything that’s going on, when he’s had his hands in the stomach of this guy, trying to keep him alive. The aroma of blood, the need to feed breathing down on him, this wrongful death and loss of innocence. At the end of the episode, he weeps for the loss of innocence in this room, and essentially what he’s crying for is the loss of his own innocence, because he truly is a victim of circumstance. He doesn’t have a victim mentality, but he is a victim. I think it’s a metaphorical episode and the fact that we lost one of our leads was hard-hitting.”



















Wednesday, July 23, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 10

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 10
“Sleeping Beauty”
Written by Trevor Munson & Ron Koslow
Directed by John Kretchmer


Josef is nearly the victim of an assassination attempt, which is tied to a human woman in a coma, the love of Josef’s life who went into that state when he tried to turn her into a vampire.

“An important episode for Mick,” observes O’Loughlin. “There’s the shot when Beth is in the cab and he just walks away, which pulls back to a wide shot. That isolation, in a sense, is the way he feels through a lot of this episode. Also, Josef has kept all of this from him. He’s supposed to be his best friend and his only real ally in life, and he’s been keeping this huge secret. Beth has gone back to Josh, because she’s gotten a sense of what her future could hold, and I think Mick is feeling more isolated than ever. Very strong episode.”















Monday, July 21, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 9

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 9
“Fleur de Lis”
Written by Gabrielle Stanton and Harry Werksman

Directed by James Whitmore, Jr.



Mick ends up working with Morgan, the photographer who looks like Coraline, on a case, and as the two are drawn closer together he discovers that she is indeed his former love, somehow rendered human – a point made when, Beth, having discovered the truth on her own, shows up at Mick’s place and stakes her – unaware that the woman is no longer a vampire.


O’Loughlin admits that when he initially read the script he was a little skeptical over the fact that Mick apparently was accepting the fact that Morgan wasn’t Coraline. “I tried to find as many moments in the script where we can see he still believes she’s Coraline; that something wasn’t right,” he says. “I liked that tension that was all the way through the story. I like that it’s hardcore.

“And Beth staking Coraline! Incredible. There’s also a moment when Mick is looking at Coraline, and you can tell he’s feeling big love. He hates to admit it, but he wants her back so bad and, ding-dong, Beth is at the door and, oh my God, what a s*** fight! She sticks that chair leg straight into that kid’s chest. It’s a pretty radical ending. The last 10 minutes of this episode are incredible, and where we leave it – Coraline in Mick’s arms and him screaming to Beth, ‘You idiot, she’s not a vampire!’”















Thursday, July 17, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 8

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 8
“12:04 A.M.”

Written by Jill Blotevogel
Directed by Dennis Smith

Beth helps a kidnap victim escape from the clutches of a cult, the leader of which has been turned into a vampire. During the course of this case, Beth starts to relive her own kidnapping as a child and comes to discover that it was Mick who had rescued her back then.

“As strange as this sounds,” says O’Loughlin, “I think this episode needed a couple of more beats of violence. When you’re dealing with this extremely powerful creature and this guy is good at this, you think it’s going to be a big show down. But when it goes bang, bang, bang, it’s not a big showdown, it’s a medium-sized showdown.

Which pulls the drama out of it a little bit. I’m a boy, I like to see things blow up, I like long fights. It wasn’t bad, but I felt that Mick and him, when they have their confrontation, it was a little lame.”