Sunday, October 4, 2015

Interview with a Vampire: Inside CBS' Bloody-fun Moonlight


Alex O'Loughlin, Moonlight
On Friday nights this season, after Jennifer Love Hewitt gets done talking to ghosts, CBS is segueing into vampires. In Moonlight (premiering tonight at 9 pm/ET), Aussie hunk Alex O'Loughlin plays Mick St. John, a private investigator whose bite, in theory, is in fact far worse than his bark. Not that Mick is that guy. No, he feeds his hunger for the red stuff with black-market bags of O-positive and what-have-you. (Alas, his associate, played by Veronica MarsJason Dohring, is not so conscientious, and prefers the arm of the nearest lithe lass.) TVGuide.com invited O'Loughlin to give us some (gentle...) sound bites.

TVGuide.com: On paper, the critics have noted that the vampire PI TV show is a road well traveled. What will set your show apart?Alex O'Loughlin: First of all, our show is only vampires. We don't deal with other monsters like trolls and goblins and stuff. We're not based in some medieval book of curses; we're set in contemporary times. And our vampires, they walk among us, live among us, work among us. They're lawyers and doctors.... We're trying to bring it into the here and now. The other thing is, I don't think I've seen a vampire series done in a film-noir style, not just in the way it's shot but in the use of devices we have, like flashbacks and voiceovers.
TVGuide.com: I like the sort of "interview with a vampire" that leads off the pilot, where Mick lays out the particular set of rules this show will play by. 

O'Loughlin: Yeah, I like that, too. That's actually something we shot in like one afternoon. I was in the makeup chair and they handed me a fistful of pages and said, "We're going to shoot this in an hour and a half."
TVGuide.com: The rule set, though, is the kind of thing people will pick on. "Experts" will say, "Hey, vampires can't do this, and they can do that.... " But this establishes the parameters from the start.
O'Loughlin: 
I really enjoy the way the writers did that. It's a cool device. It's a fantasy for Mick, like "If I were to be interviewed, this is what I would say." It fit in really well.

TVGuide.com: In the pilot, Mick investigates a vampirelike cult. Will his cases always have some gothic theme?
O'Loughlin: 
The first few cases we come across do have a gothic theme, and there often seems to be an involvement with other vampires. But we absolutely will move away from that — and then come back to it as well. The reason Mick became a PI in the first place is because he feels on a deep level that the more predators he gets rid of and the more crimes against humanity he solves, the further away he'll get from the predator he actually is. Even though he would never admit it, and he never shows it, he is a true victim of circumstance.
TVGuide.com: You're Australian, your leading lady Sophia Myles is British.... Is this something the American Screen Actors Guild should start investigating?O'Loughlin: [Laughs]

TVGuide.com: Or should American actors get on a plane and take over Torchwood and Summer Heights High?
O'Loughlin: I often get asked these questions and the reality is that this is where our industry thrives. The mecca of filmmaking in the world just so happens to be in America. It's quite simply a case of us just going where the work is.
TVGuide.com: So Jason Dohring wasn't added to the cast simply to keep the INS at bay?
O'Loughlin: 
Now, that is true. We got him to keep the INS dogs away. It keeps the books clean.
TVGuide.com: Recasting Mick's vampire confidant with Jason is just one of several changes Moonlight has undergone since the original pilot. How can you sum up the overall shift in the show?
O'Loughlin: 
Well, since Twilight, as the show used to be called, the whole cast is now a little bit younger. The character of [Mick's ex-wife] Coraline is younger, and Josef (played by Dohring) is a lot younger. The actor playing Josef originally was twice Jason's age, and he was a wonderful actor who I had a great relationship with. What I think happened was the creators and the network made the decision that that particular relationship is extremely important because they're almost each other's only ally, and it was a concern that he was more a father figure to me when Josef was much older, and that there would thus be a level of ease in that age difference. In hindsight, I think they were right to make that change.

TVGuide.com: Yeah, it's perhaps more interesting to have Josef be a younger kind of smartass. 
O'Loughlin:
 Right. Because we're basically the same age bracket, it's like two young rams. There will always be a butting of heads, girls can be a problem.... They're two alpha males, and occasionally, even though they love each other deeply, anything can happen. Things can come up and they'll want to f--king kill each other.
TVGuide.com: There's obviously great chemistry between Mick and Beth, the investigative reporter he collaborates with. But am I to infer from a flashback in the pilot that perhaps they are not destined to be together?
O'Loughlin: 
Absolutely. That's one of the cruxes of the show. Part of me thinks the moment they get together we don't have a show anymore, and yet they have to be together because... well, they're star-crossed lovers.
TVGuide.com: Shannyn Sossamon's Coraline, she's also in the pilot's flashback. Will she fit more heavily into the mix going forward, in the present time?
O'Loughlin: 
Absolutely. The thing with Coraline that you need to realize is that when Mick and Coraline first met, she had it bad for him but she had been there before — she was already a couple hundred years old — so she was able to let him go. Mick went crazy and was completely obsessed with this woman, and eventually they got married and she gave Mick this curse [by turning him into a vampire]. She thought it was the greatest gift in the world and he was like, "You've cursed me forever, you psycho bitch!" She has essentially spent the next 50 years in constant pursuit of him because he left her, so yeah, she comes back with a vengeance.

TVGuide.com: You know, as I'm watching the pilot I'm getting this vibe off of you, like you're this Russell Crowe-John Cusack kind of hybrid. 
O'Loughlin: 
[Laughs] That's funny, man! Oh, the s--t you hear... Russell Crowe and John Cusack! I haven't heard that hybrid, that variation of beast yet. I was compared to Russell Crowe in the Australian media when I got my first lead role, in a film called The Oyster Farmer. I don't know how to respond to that!
Sink your teeth into some Moonlight clips using our Online Video Guide.

Friday, August 15, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 16

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy


“Sonata” Episode 16
Written by Ethan Erwin
Directed by Fred Toye


In the series finale, an exploration of the vampire culture and vampire justice is explored when a female vampire threatens to expose every vampire in Los Angeles. Towards the end, Beth wants to call the relationship off with Mick, but he declares his love for her and the two of them kiss passionately as they embrace the future.

“It felt like we did some pretty cool stuff in this one,” says O’Loughlin. “It was great seeing the different vampires together and have us out on this mission. Some very nice performances in it.” The standout moment for him, naturally, is the climax when Beth says they can’t be together – largely because of the codes governing the vampires — but he nonetheless comes back into her apartment and the two begin to kiss.

“He’s trying to keep the boundary there and the reality is that he can’t allow, despite what his heart says, this human girl to dictate the moral code of something that’s been around for thousands and thousands of years. So he will always have boundaries there; he is a vampire. But then there’s the thing that he’ll always love her, too.

That’s always been the great quandry of that character. Then he leaves and what followed just came out of the moment. I was walking away from the apartment and I stopped outside the door and stood against the wall for a moment before going back inside. I wanted to continue that thread in the series, that feeling, that there is a wall between them that will always be there no matter what. But in that moment he decides he’s still gonna have a go at it. The love is too strong, he’s not going to walk away and he’s still going to try and make it work.”

Despite its premature cancellation, this final moment in Moonlight at least fulfilled the promise of the show’s premise, having these two characters from different worlds uniting.


















Tuesday, August 12, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 15

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy


Episode 15
“What’s Left Behind”
Written by Jill Blotegovel
Directed by Chris Fisher


Flashbacks illuminate Mick’s past when the rescue of a kidnapped youth suggests that the boy may be the grandson of a woman Mick had had an affair with back during World War II. For Beth, life is changing as she quits BuzzWire and is offered a position of “civilian investigator” for the DA’s office.

“The subject matter in this episode is pretty great, and there’s a lot of potential for storytelling dealing with Mick’s past,” notes O’Loughlin. “Think about it: you’re looking at this guy who looks like he’s twice as old as Mick is, but could be his son. I felt like this was the strongest of the four that we did when we came back from the strike. I enjoyed playing this different version of Mick and this different side of him. Sometimes you wonder if this guy has the capacity to feel anything above and beyond what we’ve seen, and I kind of wanted to look a little deeper. Essentially he was faced with the things he wants most: his humanity back, his mortality and the chance to grow old and die. Which is a strange thing to want, because it goes against what we as humans think we want. We want to stay young. But he faces that in this one, and he has the hope that maybe his bloodline is carrying on. That was really fun to play. There was no shortage of drama or stakes in that episode.”














Sunday, August 10, 2014

Alex O'Loughlin's Blog Note after Moonlight was Canceled on May 14, 2008

This is from Alex O'Loughlin's only authentic blog - his official MySpace... it's good to read (again)



Dear Friends, Family and wonderful, wonderful Fans of MOONLIGHT.

Well, where to start....?
The decision to cancel MOONLIGHT... my MOONLIGHT... our MOONLIGHT, is
as much of a shock and gut wrenching surprise to me as it is to all of you.

Really, I don't even know where to begin.

I sit here at my computer, still slack jawed even 24 hours after
receiving the news that my services are no longer required on the set
of this show. A show we have all come to know and love deeply, and it
hurts more than I can possibly tell you.

Since i got THE CALL I have not read anything online or otherwise, I
have not been following blogs or forums, I have not been reading the
trades or opinion polls and I have not been calling around to get
information.

"Why are you not fighting for your show?!" I hear you all scream!!
The truth is my friends, I never STOPPED fighting for it.

From the very beginning when I was told time and again that i wasn't
the man for the job, having to prove myself to everyone with tests and
screen tests, to a complete re-casting of the show, through 5
different show runners at the helm with 5 different artistic visions,
to a Writer's strike that took 5 episodes away from us...... oh how
the list goes on.

But through all of that, i am proud to say that not once did I bow
down and allow someone else to come in and do with MOONLIGHT as they
please. And along the way, if I needed a break and wanted to do that,
I don't think I could have anyway because, well, I suppose it's just
not in my nature! ;)

This is all still so fresh for me and I am going to need a little time
to process this whole thing before i can digest what has actually
happened, let alone move on.

Honestly. I really feel lost for words.

I will say however, that never, never in my life have I experienced
first hand a level of support from a group of people like that of you
all who are reading this now, and who 'loved this show to life'
alongside me. It has been overwhelming to say the least.

I am grateful to you all.

I am extremely proud to be associated with this piece of television.

And I am so, so sorry to my very core, to lose MOONLIGHT.

All my love,

Alex O'Loughlin x

Friday, August 8, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 14

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy


“Click” Episode 14
Written by Erin Maher & Kathryn Reindl
Directed by Scott Lautanen


When a member of the paparazzi takes photos that could expose the truth about Mick, Beth does the unthinkable: she goes to Josef to get him to take care of the “situation,” creating a pact between them and that Mick knows nothing about. Meanwhile, Mick and Beth decide to start pursuing a romantic relationship.

“What I like about the episode is the fact that it showed the risk that Mick faces on a daily basis in terms of possible exposure,” O’Loughlin says. “Between this paparazzi guy and the fact that D.A. Talbot has a file on Mick, you start to explore what could happen if this part of the lives of these creatures were exposed public. And with Beth going to Josef – wow! Knowing what her request will mean for this photographer shows a bit of ruthlessness on her part, but also the depth of her feelings for Mick.”















Wednesday, August 6, 2014

Alex O’Loughlin’s Guide to Moonlight Ep 13

This interview was done in September 2009 By Retro Ed at SciFi TV Zone. It is no longer online but I preserved it. ~Enjoy

Episode 13
“Fated to Pretend”
Written by Gabrielle Stanton & Harry Werksman
Directed by David Barrett


Mick is enjoying the idea of being human again, but when Beth is threatened by the killer of her BuzzWire boss Maureen, he feels he has no choice but to ask Josef to turn him back into a vampire so that he can rescue her.

“I remember reading that scene with Mick and Josef in the loft when Mick is going off to be the hero, and Josef slaps him around a bit and says, ‘You’re out of your mind,’ and Mick realizes what he has to do,” says O’Loughlin. “So he reluctantly asks Josef to turn him back. I thought it came out great and I thought it was an evocative scene. That’s one of the things I’m intrigued by about these creatures – there’s such ambiguity to them, which this scene played in to sexually.”